- Magic bullet looks 3.1 movie#
- Magic bullet looks 3.1 pro#
- Magic bullet looks 3.1 tv#
- Magic bullet looks 3.1 windows#
Magic Bullet Looks is the most intuitive color finishing tool on the market today.
Magic bullet looks 3.1 tv#
The problem is well recognized and longstanding, and from all indications, only getting worse: Indecisive directors who haven’t a clue but ‘know it when they see it’.The Looks Library has been updated with 198 new, fully-customizable presets, designed to match the latest Hollywood films and TV shows. This all-too-common affliction among mostly young, newbie directors can lend itself disastrously to a dysfunctional, stressful set, failed friendships, and abruptly curtailed collaborations.įor the creative cameraperson, it can be challenging not knowing what the heck the director is thinking in terms of a look. Sure we all want to do our best, and we shooters can be particularly obsessive about it, but we need good communication with the above-the-line folks, from particularly the director, whose vision we are entrusted to translate in the most visually effective terms possible.įor several years Red Giant’s Magic Bullet Looks has been my primary go-to tool for communicating with directors, indecisive and not.
The latest version, Magic Bullet Looks 3.1, offers a very easy to peruse shopping list of over 200 preset looks from high-profile movies and TV shows. And heaven knows we are seeing an awful lot of these folks lately!įor the cinematographer/director of photography Magic Bullet Looks can be very effective and even a career-saver.ĭirectors who are at least somewhat film- and TV-literate can choose from a warm and fuzzy Jerry Maguire look, for example, or the heavily diffused feel from Eyes Wide Shut, and then use that look as a starting point for further exploration and tweaking. It really is the ideal way of working with collaborators who can’t articulate what they want.
Magic bullet looks 3.1 movie#
The tool speaks the language of movie and TV professionals, bringing less experienced directors up to speed quickly when considering a range of possible visual treatments. It is especially suited for the team player cameraman or woman who likes to reference movies when exchanging ideas and potential looks with collaborators. Magic Bullet Looks is a comprehensive color-grading tool that offers hundreds of classic feature film and TV looks that can be further tweaked virtually without limit according to one’s need or desire.
A custom look may also be created from scratch. Magic Bullet Looks is a direct extension of the shooter’s craft, enabling close control of a project’s post-camera look. As a color-grading tool, MBL does not obviate in any way the need for a sophisticated color corrector like Davinci Resolve. In fact MBL and Davinci Resolve are the ideal team, offering serious power to accomplish routine and specialized tasks in the post-production environment. Unlike the individual plug-ins also included with the package, Magic Bullet Looks is a standalone application that does not support a simple, drop-it-on-the-timeline-and-get-it-done workflow. The need to launch the separate MBL application can be a serious drawback for users facing a time-crunch or who are loath to leave the warmth and coziness of their NLE environment. While MBL offers broad color-correction capabilities, most color-correction tasks can be performed more simply and conveniently via a specific timeline applicable plug-in like Colorista.
Magic bullet looks 3.1 windows#
While Colorista uses power windows to isolate problem areas, such windows or masks are usually better applied in the host NLE.
Magic bullet looks 3.1 pro#
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